Well I'll be. Sounds like Haswell has been walking this fucked rave/electronic/noise path for a little bit now. I completely missed out. Still stuck on the Live Salvages and the albums with Hecker and Yasunao Tone. Admittedly I haven't kept up much but wow, this caught me by surprise and really sunk its teeth in. A "mini album" built around a 10 minute collab with vocalist Sue Tompkins (first time Haswell has ever used a vocalist I'm told) but all tracks are great in their own aggressively dancey, atonal kind of way. I want to throw around lazy comparisons like early Aphex Twin and Venetian Snares but that doesn't do the record justice. It's definitely "nostalgic", "retro", "of the past" but with a gnarly updated take. I'm also reminded of Consumer Electronics too but that's fair because Haswell actually is IN that group. Real good.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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