A ""cult classic"" that I never heard of till now. Even for 1997 this seems ahead of its time. Leading off with a 15-minute mostly-drone track is a bold move, and the album moves into slightly more identifiable jungle/IDM/drum n bass zones with a dark bent. There are some absolute bangers here from the thumping "Dead (Too)" to the glitchy, disorienting heavyosity of "Damaged III". Feels almost like a predecessor to some of Venetian Snares' darker, more aggressive works. "High Life" is another lengthy droning dark ambient track right before the final cut "My Confession" which is a DnB assault over a sinister and syrupy ambient wash. Exhausting at 77 minutes but an absolute beauty nevertheless.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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