A ""cult classic"" that I never heard of till now. Even for 1997 this seems ahead of its time. Leading off with a 15-minute mostly-drone track is a bold move, and the album moves into slightly more identifiable jungle/IDM/drum n bass zones with a dark bent. There are some absolute bangers here from the thumping "Dead (Too)" to the glitchy, disorienting heavyosity of "Damaged III". Feels almost like a predecessor to some of Venetian Snares' darker, more aggressive works. "High Life" is another lengthy droning dark ambient track right before the final cut "My Confession" which is a DnB assault over a sinister and syrupy ambient wash. Exhausting at 77 minutes but an absolute beauty nevertheless.
Nachtmystium/Leviathan - In the Valley of Death, Where Black Metal is King: An Homage to the Roots (Ascension Monuments Media, 2018)
What the fuck is that title. Okay I get the first part is a Judas Iscariot tribute, but did we really need "an homage to the roots" in there? Hey wouldn't it be funny if these were actually covers of the band The Roots? Anyway. This album was supposed to come out 10 years ago, but it was blocked by the bands' respective labels. Now I guess they've figured out a way, or Blake Judd needs money for drugs so he's figured out a way, to put this out. The Bandcamp version has 8 tracks, 5 from Nachtmystium and 3 from Leviathan, but I've seen a 10-track tracklisting elsewhere. On the version I have, we have Nachtmystium covering Judas Iscariot, Ildjarn (twice), Von and Burzum. Leviathan tackles Ildjarn (twice) and Von once. I seem to be missing Leviathan's Judas Iscariot cover ("Where the Winter Beats Incessant") and one of Nachtmystium's Von covers ("Von"). Weird. Wonder if there were some licensing issues or something. All four Ildjar...
Comments
Post a Comment