Christina Vantzou and John Also Bennett teamed up for a live improvisation based on the works of the artist Zin Taylor. His art adorns the cover here for you to get a sense of his style; and their performance was inspired by a 90-metre wall drawing of Taylor. Their performance was whittled down and re-mixed into the 10 tracks here. The result is a slow, spacious, electro-acoustic, ambient work for synth, piano, flute, field recordings and maybe more? The performance is slowly engrossing and it's interesting to hear the differences from track to track, making me wonder how this worked originally as a 40-minute performance. Maybe we can hear the unedited set someday. This is an inventive and interesting album but it's definitely not stuffy academia. Definitely one to revisit.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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