Christina Vantzou and John Also Bennett teamed up for a live improvisation based on the works of the artist Zin Taylor. His art adorns the cover here for you to get a sense of his style; and their performance was inspired by a 90-metre wall drawing of Taylor. Their performance was whittled down and re-mixed into the 10 tracks here. The result is a slow, spacious, electro-acoustic, ambient work for synth, piano, flute, field recordings and maybe more? The performance is slowly engrossing and it's interesting to hear the differences from track to track, making me wonder how this worked originally as a 40-minute performance. Maybe we can hear the unedited set someday. This is an inventive and interesting album but it's definitely not stuffy academia. Definitely one to revisit.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

Comments
Post a Comment