This got a lot of comparisons to Jan Jelinek's masterful "Loop-Finding-Jazz-Records", a 2017 reissue that was a revelation for me. Both were released around the turn of the millennium, both straddle a kind of forward-thinking electronica/DnB line...but "Earprints" wasn't quite the same revelation for me. Conjoint is an electronica/jazz collective, using both electronic and acoustic instruments, and it's clear there are a lot of ideas here, many interesting ones...the result is not jazz, not electronica, some kind of shapeshifting mass containing both. Occasionally it dips into kitschy new age-y modes so I guess you can see the appeal to the Demdike Stare guys, who reissued it. It's okay, just didn't grab me.
Nachtmystium/Leviathan - In the Valley of Death, Where Black Metal is King: An Homage to the Roots (Ascension Monuments Media, 2018)
What the fuck is that title. Okay I get the first part is a Judas Iscariot tribute, but did we really need "an homage to the roots" in there? Hey wouldn't it be funny if these were actually covers of the band The Roots? Anyway. This album was supposed to come out 10 years ago, but it was blocked by the bands' respective labels. Now I guess they've figured out a way, or Blake Judd needs money for drugs so he's figured out a way, to put this out. The Bandcamp version has 8 tracks, 5 from Nachtmystium and 3 from Leviathan, but I've seen a 10-track tracklisting elsewhere. On the version I have, we have Nachtmystium covering Judas Iscariot, Ildjarn (twice), Von and Burzum. Leviathan tackles Ildjarn (twice) and Von once. I seem to be missing Leviathan's Judas Iscariot cover ("Where the Winter Beats Incessant") and one of Nachtmystium's Von covers ("Von"). Weird. Wonder if there were some licensing issues or something. All four Ildjar...
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