Travis Scott - Astroworld (Grand Hustle/Cactus Jack/Epic, 2018)

Driving to work this AM and saw on Spotify this thing finally came out and ended up spinning it there and back. I've never been a big Travis Scott fan but this album has been in the works for so long and boasts such a ridiculous array of collaborators that I figured I'd have to at least check in on it. It's a monster, really. 17 tracks, I don't know the total length but gotta be in the 70 minute zone, and packed to the gills. Drake, Frank Ocean, Swae Lee, Kid Cudi, James Blake, a Stevie Wonder harmonica feature, Pharrell, The Weeknd x 2, 21 Savage, Quavo & Takeoff, let alone the production credits, which for me is the best part. For me, there are some good tracks here - the album starts very strong with "Stargazing", a total headtrip, Frank Ocean on "Carousel" and "Sicko Mode" with Drake. All 3 are legitimate bangers with some really adventurous, head-turning production. "R.I.P. Screw" is messy and disjointed but in a wonderful way that feels like an appropriate ode to screwed music. After that things get spotty. Maybe I owe the album a few more listens but I think at the end of the day my problem with Scott is that he's just not a terribly interesting rapper. And here he gets upstaged by the production and a lot of the features. It's an impressively put together record, but it feels strangely forgettable. We'll see if it sticks on a few more playthroughs.

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MKWAJU Ensemble - KI-Motion (We Release Whatever the Fuck We Want, r. 2018)

DOPE re-ish of Midori Takada's 1981 debut album as MKWAJU Ensemble - you may recall last year WRWTFWW released Takada's Through the Looking Glass LP, but this one's even better - a wild mix of Japanese ambient and African rhythms played on marimba, vibraphone, synthesizer and percussion. RIYL Terry Riley or Tubular Bells, or even more new age-y weirdness like Vangelis, but these rhythms are so wild I wouldn't bat a lash at all if you told me the Animal Collective bros stayed up nights listening to these. Check out "Angwora Steps", totally out of pocket. "Hot Air" is a spacious breather, the other tracks pile up the rhythms in slowly-shifting crescendos...crazy stuff.

Albums of the Year 2017 // New Releases

//40 Migos Culture (300 Entertainment) //39 Kyle Dixon & Michael Stein Stranger Things 2: A Netflix Original Series Soundtrack (Lakeshore) //38 Unsane Sterilize (Southern Lord) //37 Hans Zimmer & Benjamin Wallfisch Blade Runner 2049: Original Motion Picture Soundtrack (Epic/ASG) //36 Ricardo Villalobos Empirical House ([a:rpi:r]) //35 Brockhampton Saturation II (Question Everything Inc./Empire) //34 Fire-Toolz Drip Mental (Hausu Mountain) //33 Clams Casino Instrumental Mixtape 4 (no label) //32 Yves Tumor Experiencing the Deposit of Faith (no label) //31 Lil Yachty Teenage Emotions (Virgin/EMI) //30 Thriftworks The Feather and the Sword (no label) //29 Paul White & Danny Brown Accelerator (R&S) //28 Keiji Haino, Jim O'Rourke & Oren Ambarchi This Dazzling, Genuine "Difference" Now Where Shall It Go? (Black Truffle) //27 Nazoranai Beginning to Fal...

Abstracter - Cinerous Incarnate (I, Voidhanger, 2018)

I was not aware of these guys, who formed in 2010 as a noise duo, and slowly evolved and added more members and turned into a kind of death/blackened doom metal project. They've got ties to other noise acts I don't know (Sutekh Hexen) and other industrial acts I don't know (Only Now). Quite a stew and the band pulls of something that sounds truly different. It's got a tentacle in each of the aforementioned genres but blends them really well. It's quite hard to pin them down in fact. Big, heavy riffs with a production level along the lines of a sludge/black metal record but sharp instrumentation and just a dirty atmosphere...ambient noise passages separate a couple tracks as a nice diversion...very cool

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