Sun Ra - The Cymbals/Symbols Sessions: New York City 1973 (Modern Harmonic, 2018)

This is a genuine "lost album" (unlike the Coltrane "ehhh kinda not really" lost album) recorded by Sun Ra and members of the Arkestra in 1973 for Impulse!. Seems the relationship between Ra and Impulse! soured quickly and a couple albums that were scheduled got shelved - Cymbals/Symbols and another one due for a reissue later this year called Crystal Spears. This one is an oddity in a discography of oddities - the Arkestra here is only an 8 piece and they perform mostly in smaller configurations like quartets throughout the album. Stalwart Marshall Allen is completely absent, and John Gilmore only plays on one piece. Strange. The first disc is the actual Cymbal/Symbols album remastered, and the second disc is from an unnamed tape recorded at the same sessions. Given we're looking at a smaller lineup without many mainstays, Cymbals/Symbols is a little flat. It opens with an awkward, stuttering "The World of the Invisible" and then torpedoes into the 16-minute "Thoughts Under a Dark Blue Light" (the one piece feat. Gilmore) and then settles into some relatively nondescript, non-astral boppy Ra jazz. The second disc gets a little loopier - Ra really lets the Moog loose on the incredibly overlong "Myth Evidential" but nothing here really struck a chord with me. Let's see what Crystal Spears is all about later this year.

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Eartheater - IRISIRI (Pan, 2018)

Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

Kevin Drumm - Jury Prize (Karl Schmidt Verlag, 2018)

Here's a new kd album on Tom Smith's Karl Schmidt Verlag label that's very much the opposite of some of the kd we've heard earlier this year - namely, it's loud as fuck. There's one 53-minute track here, "Schmickedtwice (Jury Prize)" and it sounds as chaotic and unhinged as anything from Drumm, certainly a return to the noisy Sheer Hellish Miasma days but sonically on par with analog Merzbow. Recorded this year though so not an old recording. It sounds like there's vocals buried way deep, somebody screaming through the TV static, maybe even some percussion? This one's a heater.

Albums of the Year 2017 // New Releases

//40 Migos Culture (300 Entertainment) //39 Kyle Dixon & Michael Stein Stranger Things 2: A Netflix Original Series Soundtrack (Lakeshore) //38 Unsane Sterilize (Southern Lord) //37 Hans Zimmer & Benjamin Wallfisch Blade Runner 2049: Original Motion Picture Soundtrack (Epic/ASG) //36 Ricardo Villalobos Empirical House ([a:rpi:r]) //35 Brockhampton Saturation II (Question Everything Inc./Empire) //34 Fire-Toolz Drip Mental (Hausu Mountain) //33 Clams Casino Instrumental Mixtape 4 (no label) //32 Yves Tumor Experiencing the Deposit of Faith (no label) //31 Lil Yachty Teenage Emotions (Virgin/EMI) //30 Thriftworks The Feather and the Sword (no label) //29 Paul White & Danny Brown Accelerator (R&S) //28 Keiji Haino, Jim O'Rourke & Oren Ambarchi This Dazzling, Genuine "Difference" Now Where Shall It Go? (Black Truffle) //27 Nazoranai Beginning to Fal...

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