Last latest missive from the Heath Moerland's Crazy Doberman project, seemingly just a duo configuration here with Heath and John Olson. Heath starts on percussion and moves to electronics (and maybe guitar?) and Olzone is on sax. Two 25 minute pieces, thoroughly basement in sound, clattery and cement-floor scraping and dank. I prefer the other two but this one's OK too.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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