2011 live recording with Brotzmann on reeds and Lonberg-Holm, a longtime collaborator, on electronics and cello. There's four tracks here, it starts of with surprising restraint, and while Brotzmann blows heavy on a few cuts (esp. blasts on "The Figure Eight") it's still not a tremendously heavy affair. Lonberg-Holm does well to keep up and occasionally sounds like he's mauling his strings to do so. Not a favorite for me.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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