2011 live recording with Brotzmann on reeds and Lonberg-Holm, a longtime collaborator, on electronics and cello. There's four tracks here, it starts of with surprising restraint, and while Brotzmann blows heavy on a few cuts (esp. blasts on "The Figure Eight") it's still not a tremendously heavy affair. Lonberg-Holm does well to keep up and occasionally sounds like he's mauling his strings to do so. Not a favorite for me.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

Comments
Post a Comment