Various Artists - African Scream Contest 2: Benin 1963-1980 (Analog Africa, 2018)

Nice, a follow up to the first African Scream Contest from way back when. I kinda take issue with these comps, much as I like Analog Africa - not these specifically but all these comps that brand African music something insanely stupid and vaguely noble-savage-esque like PSYCHODELIC MINDFUCKERS FROM THE AFRICAN BLOOD JUNGLE or whatever. But then I remember lots of white music comps have insanely stupid titles too so anything to sell a buck. Some of these cuts (here and on the original) are not exactly "scream contest" material, some are perfectly chippy sounding doo-wop or disco cuts, although some are certainly boneshakers - dig the opener, which almost oversells the whole comp, I never wanted it to end. Not too much stuck with me but this is a good summer listen fo sho.

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Nachtmystium/Leviathan - In the Valley of Death, Where Black Metal is King: An Homage to the Roots (Ascension Monuments Media, 2018)

What the fuck is that title. Okay I get the first part is a Judas Iscariot tribute, but did we really need "an homage to the roots" in there? Hey wouldn't it be funny if these were actually covers of the band The Roots? Anyway. This album was supposed to come out 10 years ago, but it was blocked by the bands' respective labels. Now I guess they've figured out a way, or Blake Judd needs money for drugs so he's figured out a way, to put this out. The Bandcamp version has 8 tracks, 5 from Nachtmystium and 3 from Leviathan, but I've seen a 10-track tracklisting elsewhere. On the version I have, we have Nachtmystium covering Judas Iscariot, Ildjarn (twice), Von and Burzum. Leviathan tackles Ildjarn (twice) and Von once. I seem to be missing Leviathan's Judas Iscariot cover ("Where the Winter Beats Incessant") and one of Nachtmystium's Von covers ("Von"). Weird. Wonder if there were some licensing issues or something. All four Ildjar...

Corrupted - Felicific Algorithim (Cold Spring, 2018)

For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

Legend of the Seagullmen - Legend of the Seagullmen (Caroline/Dine Alone, 2018)

You may be familiar with the hype surrounding Legend of the Seagullmen, mostly because of the involvement of Danny Carey (Tool) and Brent Hinds (Mastodon). I wasn't expecting much but these were key bands of my youth, so I gave it a whirl, and it's whatever. It sounds kind of like a more rock/less metal version of Mastodon, maybe a less punk-y Turbonegro, a touch of Melvins (minus all the inventiveness), with horribly stupid lyrics and power rock moves like anthemic choruses and extreme guitar soloing. It's not as bad as the first track "We Are the Seagullmen", a real piece of shit, threatens, but it's not much better. It's a concept album that takes itself only semi-seriously...with the marriage of technical skill and tongue in cheek humor it's along the lines of a Green Jello, Tenacious D or a Les Claypool sideproject. But musically there's nothing here of interest, give it a skip.

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