Nice, a follow up to the first African Scream Contest from way back when. I kinda take issue with these comps, much as I like Analog Africa - not these specifically but all these comps that brand African music something insanely stupid and vaguely noble-savage-esque like PSYCHODELIC MINDFUCKERS FROM THE AFRICAN BLOOD JUNGLE or whatever. But then I remember lots of white music comps have insanely stupid titles too so anything to sell a buck. Some of these cuts (here and on the original) are not exactly "scream contest" material, some are perfectly chippy sounding doo-wop or disco cuts, although some are certainly boneshakers - dig the opener, which almost oversells the whole comp, I never wanted it to end. Not too much stuck with me but this is a good summer listen fo sho.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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