After witch house blew up (and after becoming one of the few witch house artists worth listening to) oOoOO promptly took some time away from that crappy and toxic scene - respect points. He reemerges here in a collaborative effort with Islamiq Grrrls, a relative unknown producer/vocalist from LA. On Faminine Mystique they sling tattered witch house garb over the bones of pop tunes, to a really strange effect - some of these songs feature references to Chris Isaak, the Eagles, breakbeat, hip hop...as usual within that Scene, it's hard to tell how much of this is loving homage, irony, or pastiche. But it works pretty well. I'm not sure if each musician wrote their own lyrics but it seems to me that the tracks with Grrrls' vox feature clunkier lyrics which kind of weighs the project down, and they never truly lift off into completely uncharted avant pop territory but it's certainly a departure from "witch house typical" and definitely shows two artists trying to come up with a new kind of musical discourse, even if they aren't inventing a new language. Think Religious Knives with a more hip-hop bent and you're in the ballpark. Interesting.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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