The best word I can come up to describe this album - labyrinthine. From the album itself to the songs itself. This album is in some ways a severe corruption of pop music while maintaining all the gnarly-ness, of Daniel Lopatin's past efforts. His OPN project has moved past merely bizarre synth/ambient/electro/vaporwave/whatever and into whole new waters. "Babylon", "The Station" and "Black Snow" are almost undeniably poppy (albeit very twisted) while tracks like "Same" and "Still Stuff That Doesn't Happen" are among the weirdest and harshest that Lopatin has ever produced, here augmented by a sharp and smartly selected group of collaborators like Prurient, Anohni, James Blake and others. It's a real interesting album, one that will take a few more spins to get my head around, but I like it.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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