YoshimiO, Susie Ibarra & Robert Aiki Aubrey Lowe - Flower of Sulphur (Thrill Jockey, 2018)

Thought this was an intriguing meeting of the minds. YoshimiO of the Boredoms, OOIOO, etc. Susie Ibarra, percussionist of great Downtown NYC imrpov scene fame. And Robert Aiki Aubrey Lowe of Lichens and increasingly making a name for himself under, well, his own name. This is a live improvisational set chopped up into 4 sidelong pieces. As you might expect from having two percussionists it's fairly drum-heavy. Lowe contributes some garbled vocals that don't sound at all unlike what you might hear from Eye of the Boredoms lending the set a temporarily nostalgic vibe. The proceedings throughout are very spacious, relatively slow-moving. Lots of ideas are entertaining (there's a whole host of instruments - acoustic and electronic - in play throughout that I won't even try to place) and nobody seems to want to step on anyone's toes. Maybe a little too respectful although lots of active listening going on and corresponding engagement. At times the group lock into a groove and Lowe's vocals combine to put this thing in the Supersilent stratosphere but those moments are too fleeting. The set as a whole didn't do much for me. They let loose a little on the final passage but overall I was hoping for a little more jam from these 3 titans.

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Nachtmystium/Leviathan - In the Valley of Death, Where Black Metal is King: An Homage to the Roots (Ascension Monuments Media, 2018)

What the fuck is that title. Okay I get the first part is a Judas Iscariot tribute, but did we really need "an homage to the roots" in there? Hey wouldn't it be funny if these were actually covers of the band The Roots? Anyway. This album was supposed to come out 10 years ago, but it was blocked by the bands' respective labels. Now I guess they've figured out a way, or Blake Judd needs money for drugs so he's figured out a way, to put this out. The Bandcamp version has 8 tracks, 5 from Nachtmystium and 3 from Leviathan, but I've seen a 10-track tracklisting elsewhere. On the version I have, we have Nachtmystium covering Judas Iscariot, Ildjarn (twice), Von and Burzum. Leviathan tackles Ildjarn (twice) and Von once. I seem to be missing Leviathan's Judas Iscariot cover ("Where the Winter Beats Incessant") and one of Nachtmystium's Von covers ("Von"). Weird. Wonder if there were some licensing issues or something. All four Ildjar

Sunburned Hand of the Man - Get Wet with the Animal (Manhand, 2018)

I keep up with Sunburned only intermittently these days, they seem to be taking a more rock-ist approach lately. Like this one. Each track is about 4-5 minutes of pretty ramshackle, jammy, funky, boogie rock...almost spoiled by the throaty, beery vocals shouted over the top of each one of these tunes with nonsensical platitudes. I almost shut it off after a couple tracks but I stuck it out and kinda came around on some level. I was oddly reminded of My War era Black Flag sludge punk. The band sez "these Holy Grail fueled recordings are a mix of iphone and zoom recordings run through garageband, reaper and some plug-ins. We're still working on the much more listener-friendly Black Dirt session..." and point taken, listener friendly this ain't.

Kanye West - Ye (GOOD Music/Def Jam, 2018)

For no real reason other than I guess the fact that he felt he had to put an album out, Ye was cobbled together in a month. And it shows quite plainly. As much as I praised the Ye-produced DAYTONA for making a fully formed album out of a mere 20-odd minutes, here Ye sounds like an odds-n-sods compilation - it literally sounds like a snapshop of a month in the studio with Kanye. Look, I have a lot of time for Kanye('s music). Yeezus is one of the best hip hop albums ever, to say nothing of the classics that preceded it. Obviously most people look at Yeezus as the dividing line between New Kanye and Old Kanye, but I still love it. The Life of Pablo was a little more dicey - it was slipshod, haphazard, scattered, bloated. I was hoping with this new 7-song limit we'd get back to Yeezus-style tightness. Not so much. You can count the good things on this album on one hand - the hooks on "Yikes" and "All Mine", "Ghost Town" which sounds like the only ful

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