Francois Bayle, director of the GRM, composed the two pieces found here in 1978-1979 as part of his "Erosphere" cycle. In the liner notes Bayle references making the banal sound strange. "Tremblement de Terre Tres Doux" on the A side does that - there's a clattering, rolling sound that sounds alternately like a bottle rolling around on the floor or yr brain rattling around inside an orbiting spaceship. With multiple movements, Bayle also notes that the piece could be interpreted as a "representation of the dramatic unfolding of a day". I don't know about that but the way it careens from digital bloop overload to mind-altering kosmiche makes it feel right at home in this year of our lord 2018.
"Toupie Dans le Ciel" is the other piece, much more digitally-steeped, a twinkling, dizzying, oscillating hypnotizer. Definitely not as interesting as the first but still pretty cool.
Nachtmystium/Leviathan - In the Valley of Death, Where Black Metal is King: An Homage to the Roots (Ascension Monuments Media, 2018)
What the fuck is that title. Okay I get the first part is a Judas Iscariot tribute, but did we really need "an homage to the roots" in there? Hey wouldn't it be funny if these were actually covers of the band The Roots? Anyway. This album was supposed to come out 10 years ago, but it was blocked by the bands' respective labels. Now I guess they've figured out a way, or Blake Judd needs money for drugs so he's figured out a way, to put this out. The Bandcamp version has 8 tracks, 5 from Nachtmystium and 3 from Leviathan, but I've seen a 10-track tracklisting elsewhere. On the version I have, we have Nachtmystium covering Judas Iscariot, Ildjarn (twice), Von and Burzum. Leviathan tackles Ildjarn (twice) and Von once. I seem to be missing Leviathan's Judas Iscariot cover ("Where the Winter Beats Incessant") and one of Nachtmystium's Von covers ("Von"). Weird. Wonder if there were some licensing issues or something. All four Ildjar...
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