Francois Bayle, director of the GRM, composed the two pieces found here in 1978-1979 as part of his "Erosphere" cycle. In the liner notes Bayle references making the banal sound strange. "Tremblement de Terre Tres Doux" on the A side does that - there's a clattering, rolling sound that sounds alternately like a bottle rolling around on the floor or yr brain rattling around inside an orbiting spaceship. With multiple movements, Bayle also notes that the piece could be interpreted as a "representation of the dramatic unfolding of a day". I don't know about that but the way it careens from digital bloop overload to mind-altering kosmiche makes it feel right at home in this year of our lord 2018.
"Toupie Dans le Ciel" is the other piece, much more digitally-steeped, a twinkling, dizzying, oscillating hypnotizer. Definitely not as interesting as the first but still pretty cool.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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