Francois Bayle, director of the GRM, composed the two pieces found here in 1978-1979 as part of his "Erosphere" cycle. In the liner notes Bayle references making the banal sound strange. "Tremblement de Terre Tres Doux" on the A side does that - there's a clattering, rolling sound that sounds alternately like a bottle rolling around on the floor or yr brain rattling around inside an orbiting spaceship. With multiple movements, Bayle also notes that the piece could be interpreted as a "representation of the dramatic unfolding of a day". I don't know about that but the way it careens from digital bloop overload to mind-altering kosmiche makes it feel right at home in this year of our lord 2018.
"Toupie Dans le Ciel" is the other piece, much more digitally-steeped, a twinkling, dizzying, oscillating hypnotizer. Definitely not as interesting as the first but still pretty cool.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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