Francois Bayle, director of the GRM, composed the two pieces found here in 1978-1979 as part of his "Erosphere" cycle. In the liner notes Bayle references making the banal sound strange. "Tremblement de Terre Tres Doux" on the A side does that - there's a clattering, rolling sound that sounds alternately like a bottle rolling around on the floor or yr brain rattling around inside an orbiting spaceship. With multiple movements, Bayle also notes that the piece could be interpreted as a "representation of the dramatic unfolding of a day". I don't know about that but the way it careens from digital bloop overload to mind-altering kosmiche makes it feel right at home in this year of our lord 2018.
"Toupie Dans le Ciel" is the other piece, much more digitally-steeped, a twinkling, dizzying, oscillating hypnotizer. Definitely not as interesting as the first but still pretty cool.
Playboi Carti has never really been on my radar too much, but then Pfork gave this one a rave review, and I figured I was sleeping...but man, this album didn't do anything for me. Barely any song made any kind of impact. The production is interesting at times but Carti himself gets lost in both that and the whole mass of features all over the album. Nothing gelled for me, so I guess for me I wasn't missing much after all. Oh well.

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