Leviathan - Unfailing Fall Into Naught (Ascension Monuments Media, 2018)

Since Scar Sighted in 2015, Jef Whitehead aka Wrest aka Leviathan has been mostly reissuing old albums and demos. 2018 shows the first stirrings of new Leviathan music with splits with Crawl and Nachtmystium on the docket. But first, some more reissuing. This set is compiled from Leviathan's sides of splits with Xasthur (from 2004) and Sapthuran (from 2006). The first five tracks are from the Sapthuran split, and what kind of doubles-down on the cash grab of this release is that these 5 tracks were already released separately in 2006 - as a record called The Blind Wound on Southern Lord. The newer tracks are sequenced first on the album which is interesting. They certainly sound like the more fully-formed version of Leviathan - blackened, thrashy, serrated as hell. Whereas the older tracks indeed still sound like he's finding his footing - they're slower, a little more doom-y, and with dustier production. They actually sound a bit like Xasthur himself. From the 2006 tracks, "Crushing the Prolapsed Oviducts of Virtue" is a real gem because it's almost got a.......groove? That's menacing and just totally locked in. In the older ones, the title track brings the doomy BM atmosphere while "The Remotest Cipher" is a keyboard-laden, hypnotic stomp. Cool to catch up with some golden era Leviathan, I wouldn't spend any money on this but hey. I've got the Crawl split up next so let's see how he sounds in 2018.

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Nachtmystium/Leviathan - In the Valley of Death, Where Black Metal is King: An Homage to the Roots (Ascension Monuments Media, 2018)

What the fuck is that title. Okay I get the first part is a Judas Iscariot tribute, but did we really need "an homage to the roots" in there? Hey wouldn't it be funny if these were actually covers of the band The Roots? Anyway. This album was supposed to come out 10 years ago, but it was blocked by the bands' respective labels. Now I guess they've figured out a way, or Blake Judd needs money for drugs so he's figured out a way, to put this out. The Bandcamp version has 8 tracks, 5 from Nachtmystium and 3 from Leviathan, but I've seen a 10-track tracklisting elsewhere. On the version I have, we have Nachtmystium covering Judas Iscariot, Ildjarn (twice), Von and Burzum. Leviathan tackles Ildjarn (twice) and Von once. I seem to be missing Leviathan's Judas Iscariot cover ("Where the Winter Beats Incessant") and one of Nachtmystium's Von covers ("Von"). Weird. Wonder if there were some licensing issues or something. All four Ildjar...

Isserley - Cutest Girls Suicide Cult (Tigersquawk, 2018)

Again - no real recollection of how this one ended up in my wishlist. I keep tabs on some witchhouse stuff and I guess I heard of Isserley somewhere...then again maybe it's the rad album title and kool art that pulled me in. Isserley is the "self proclaimed saddest girl in Australia" and these are kind of witchy beats, although more distorted and noise-y than is typical...of which I approve...but overall the album (it's more like an EP) didn't do much for me. Apparently a lot of these trax are culled from previous Isserley projects and given makeovers. Good to know! But not my bag.

Corrupted - Felicific Algorithim (Cold Spring, 2018)

For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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