The Caretaker first came to my attention with An Empty Bliss Beyond this World in 2011, which was a revelation. In the years since he's started his Everywhere At the End of Time project, mining the same fertile ground - a study of Alzheimers and tracks of older, ballroom, swing type instrumentals smeared, fuzzed and crinkled up like half-remembered reveries from a life you didn't live. The Everywhere At the End of Time project explores that idea in greater concept. And admittedly it had gotten a little stale by now. Thankfully the 4th entry in the series shakes things up. Four side-long tracks as opposed to the other's 3-4 minute songs. and the tracks are certainly more abstract, more ambient - although still with the crackle and nostalgia that make the project so identifiable. Was it new or different enough to really stand out for me? No, but I'm glad this concept is moving in different directions. Curious to see what follows.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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