I'd never heard of Park Jiha before or the groups she'd played in. Communion is her first solo record - in addition to composing these 7 tracks she plays piri (double reed bamboo flute), saenghwang (mouth organ) and yanggeum (hammered dulcimer). Kim Oki joins her on saxophone & bass clarinet, John Bell on vibraphone and Kang Tekhyun on percussion. This album strikes a fascinating balance between being accessible (I'd almost say catchy) and completely alien - you've almost certainly never heard anything like it. I returned to it time and time again and found it endlessly listenable, sounding not at all like anything remotely "jazz improv" despite the format being there. I can't describe it, just listen.
Nachtmystium/Leviathan - In the Valley of Death, Where Black Metal is King: An Homage to the Roots (Ascension Monuments Media, 2018)
What the fuck is that title. Okay I get the first part is a Judas Iscariot tribute, but did we really need "an homage to the roots" in there? Hey wouldn't it be funny if these were actually covers of the band The Roots? Anyway. This album was supposed to come out 10 years ago, but it was blocked by the bands' respective labels. Now I guess they've figured out a way, or Blake Judd needs money for drugs so he's figured out a way, to put this out. The Bandcamp version has 8 tracks, 5 from Nachtmystium and 3 from Leviathan, but I've seen a 10-track tracklisting elsewhere. On the version I have, we have Nachtmystium covering Judas Iscariot, Ildjarn (twice), Von and Burzum. Leviathan tackles Ildjarn (twice) and Von once. I seem to be missing Leviathan's Judas Iscariot cover ("Where the Winter Beats Incessant") and one of Nachtmystium's Von covers ("Von"). Weird. Wonder if there were some licensing issues or something. All four Ildjar...
Comments
Post a Comment