I'd never heard of Park Jiha before or the groups she'd played in. Communion is her first solo record - in addition to composing these 7 tracks she plays piri (double reed bamboo flute), saenghwang (mouth organ) and yanggeum (hammered dulcimer). Kim Oki joins her on saxophone & bass clarinet, John Bell on vibraphone and Kang Tekhyun on percussion. This album strikes a fascinating balance between being accessible (I'd almost say catchy) and completely alien - you've almost certainly never heard anything like it. I returned to it time and time again and found it endlessly listenable, sounding not at all like anything remotely "jazz improv" despite the format being there. I can't describe it, just listen.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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