A Crow Looked At Me is regrettably absent from my 2017 best of because I stupidly waited until after the year was done to give it a listen. Didn't think it'd be my thing. I'd never listened to Mount Eerie/The Microphones/Phil Elverum much before. But it knocked me out, of course, was really one of the better things I listened to of the year. Now Only continues in very much the similar vein, less an album per se and more a healing project for Elverum following the death of his wife. These aren't so much songs as acoustic-guitar backed explorations, catharses, musings from a man still trying to find his way out of a nightmare. I think A Crow Looked At Me was better, maybe because it was like getting your head dunked in cold water whereas this is more A Crow Part 2 (the last song on this album, in fact, is titled "Crow Pt. 2"). Moving and heartbreaking and real, there is no question that A Crow and Now Only and what might come next will stand as absolute pillars for decades to come as great music borne out of great grief. Although I can't imagine that offers much solace to Elverum.
DOPE re-ish of Midori Takada's 1981 debut album as MKWAJU Ensemble - you may recall last year WRWTFWW released Takada's Through the Looking Glass LP, but this one's even better - a wild mix of Japanese ambient and African rhythms played on marimba, vibraphone, synthesizer and percussion. RIYL Terry Riley or Tubular Bells, or even more new age-y weirdness like Vangelis, but these rhythms are so wild I wouldn't bat a lash at all if you told me the Animal Collective bros stayed up nights listening to these. Check out "Angwora Steps", totally out of pocket. "Hot Air" is a spacious breather, the other tracks pile up the rhythms in slowly-shifting crescendos...crazy stuff.

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