A Crow Looked At Me is regrettably absent from my 2017 best of because I stupidly waited until after the year was done to give it a listen. Didn't think it'd be my thing. I'd never listened to Mount Eerie/The Microphones/Phil Elverum much before. But it knocked me out, of course, was really one of the better things I listened to of the year. Now Only continues in very much the similar vein, less an album per se and more a healing project for Elverum following the death of his wife. These aren't so much songs as acoustic-guitar backed explorations, catharses, musings from a man still trying to find his way out of a nightmare. I think A Crow Looked At Me was better, maybe because it was like getting your head dunked in cold water whereas this is more A Crow Part 2 (the last song on this album, in fact, is titled "Crow Pt. 2"). Moving and heartbreaking and real, there is no question that A Crow and Now Only and what might come next will stand as absolute pillars for decades to come as great music borne out of great grief. Although I can't imagine that offers much solace to Elverum.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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