Mount Eerie - Now Only (P.W. Elverum & Sun, 2018)

A Crow Looked At Me is regrettably absent from my 2017 best of because I stupidly waited until after the year was done to give it a listen. Didn't think it'd be my thing. I'd never listened to Mount Eerie/The Microphones/Phil Elverum much before. But it knocked me out, of course, was really one of the better things I listened to of the year. Now Only continues in very much the similar vein, less an album per se and more a healing project for Elverum following the death of his wife. These aren't so much songs as acoustic-guitar backed explorations, catharses, musings from a man still trying to find his way out of a nightmare. I think A Crow Looked At Me was better, maybe because it was like getting your head dunked in cold water whereas this is more A Crow Part 2 (the last song on this album, in fact, is titled "Crow Pt. 2"). Moving and heartbreaking and real, there is no question that A Crow and Now Only and what might come next will stand as absolute pillars for decades to come as great music borne out of great grief. Although I can't imagine that offers much solace to Elverum.

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Nachtmystium/Leviathan - In the Valley of Death, Where Black Metal is King: An Homage to the Roots (Ascension Monuments Media, 2018)

What the fuck is that title. Okay I get the first part is a Judas Iscariot tribute, but did we really need "an homage to the roots" in there? Hey wouldn't it be funny if these were actually covers of the band The Roots? Anyway. This album was supposed to come out 10 years ago, but it was blocked by the bands' respective labels. Now I guess they've figured out a way, or Blake Judd needs money for drugs so he's figured out a way, to put this out. The Bandcamp version has 8 tracks, 5 from Nachtmystium and 3 from Leviathan, but I've seen a 10-track tracklisting elsewhere. On the version I have, we have Nachtmystium covering Judas Iscariot, Ildjarn (twice), Von and Burzum. Leviathan tackles Ildjarn (twice) and Von once. I seem to be missing Leviathan's Judas Iscariot cover ("Where the Winter Beats Incessant") and one of Nachtmystium's Von covers ("Von"). Weird. Wonder if there were some licensing issues or something. All four Ildjar...

Corrupted - Felicific Algorithim (Cold Spring, 2018)

For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

Desiigner - L.O.D. (Life of Desiigner) (GOOD Music/Def Jam, 2018)

There's something in me that wants to root for Desiigner even though most of the rest of the music world has turned on him. Or maybe it's because everyone is so down on him. I'll be the first to admit his first release, New English, was junk. Maybe rushed to capitalize on the success of "Panda", but either way - it showed that Desiigner was and is a very immature songwriter. But the guy can write hooks - "Panda", "Tiimmy Turner", and the first single off this release, "Priice Tag", bear that out. Maybe that'll be his niche - writing hooks for other, better rappers. No shame in that. L.O.D. is still not a great release (still not a full album yet) but it shows steps in the right direction. Does he still sound like Future? Sure and he probably always will. As mentioned, "Priice Tag" features another bomb hook, but instead of repeating it 20 times for a 4 minute song, here he keeps it trim - just 1:50 in length. Is it reve...

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