This is a great album that came out of nowhere for me as much as it did for most anyone else. Just 10 tracks, 41 minutes, but packed with musicality and ideas and heartfelt lyrics. Saba's flow is smooth and, well, lyrical and the production is gorgeous - dreamy, jazzy, and pitch perfect. The flow changes in "Life" are downright dizzying and "Prom/King" switches gears in the blink of an eye. Fantastic and worthy of multiple listens.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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