The Pitchfork review turned me onto this, and it's a pretty good one. A pretty interesting one at least. The first half of the albums races, some kind of incessant electronic/psychdelic/kosmiche thrum (with some nice female vox), really reminding me of modern Japanese psych like the Boredoms and especially Solar Anus. At the halfway point ("Vermillion Pink") things slow down into a woozy, warpy affair. At times the chanted, repetitive vocals lend this thing a near-religious vibe, felt even more when an old-timey violin tune crops up on "Oculate Beings". This is a long album (73 minutes) but it's constantly evolving and never really feels its length. It's definitely a good one.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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