The Pitchfork review turned me onto this, and it's a pretty good one. A pretty interesting one at least. The first half of the albums races, some kind of incessant electronic/psychdelic/kosmiche thrum (with some nice female vox), really reminding me of modern Japanese psych like the Boredoms and especially Solar Anus. At the halfway point ("Vermillion Pink") things slow down into a woozy, warpy affair. At times the chanted, repetitive vocals lend this thing a near-religious vibe, felt even more when an old-timey violin tune crops up on "Oculate Beings". This is a long album (73 minutes) but it's constantly evolving and never really feels its length. It's definitely a good one.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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