Mini album from Laurel Halo after last year's excellent Dust, this is more of an experimental side to Laurel I suppose - or rather a different experimental side. Six tracks all instrumental and all fairly straight forward dubby, drone-y pieces featuring cello and percussion but overall didn't stir much in me. Last track "Nahbarkeit" was good.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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