Kevin Drumm - Jury Prize (Karl Schmidt Verlag, 2018)

Here's a new kd album on Tom Smith's Karl Schmidt Verlag label that's very much the opposite of some of the kd we've heard earlier this year - namely, it's loud as fuck. There's one 53-minute track here, "Schmickedtwice (Jury Prize)" and it sounds as chaotic and unhinged as anything from Drumm, certainly a return to the noisy Sheer Hellish Miasma days but sonically on par with analog Merzbow. Recorded this year though so not an old recording. It sounds like there's vocals buried way deep, somebody screaming through the TV static, maybe even some percussion? This one's a heater.

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Playboi Carti - Die Lit (AWGE/Interscope, 2018)

Playboi Carti has never really been on my radar too much, but then Pfork gave this one a rave review, and I figured I was sleeping...but man, this album didn't do anything for me. Barely any song made any kind of impact. The production is interesting at times but Carti himself gets lost in both that and the whole mass of features all over the album. Nothing gelled for me, so I guess for me I wasn't missing much after all. Oh well.

Ami Shavit - Neural Oscillations and Alpha Rhythms (Finders Keepers, r. 2018)

Another one I wasn't expecting much from but Finders Keepers always gets a fair shake, this turned out to be surprisingly legit. Influenced by Philip Glass and Tangerine Dream in the 70's, "Ami embarked on an experiment with what he coined Alpha Mood – a state in which the brain is working in relaxation and in which he used music as a means of helping induce his own meditative state". These aren't the droney, spacey, meditative synth pieces you'd expect - they're hypnotic in an active sense, very stimulating and dynamic. Seems not much is left of Shavit's recorded legacy but I'm glad I gave these a shot, very neat.

Eartheater - IRISIRI (Pan, 2018)

Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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