Various Artists - Black Panther: The Album (Music from and Inspired By) (Interscope, 2018)

Soundtracks are soundtracks, and I like the idea of one working just as well as a standalone project. Having Kendrick helm the thing is a pretty good way to ensure success. No, it's not as good as a solo Kendrick album, and it's a bit spotty (as most soundtracks tend to be) but it's solid at the very least with some great cuts - "King's Dead" obviously with that roster of talent, Vince Staples delivers (natch) with "Opps", okay "All the Stars" is pretty flabby but the other radio-ready pop cut "Pray for Me" (w/The Weeknd) is undeniable. Overall it hits more than misses, and I'll come back to it.

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Nachtmystium/Leviathan - In the Valley of Death, Where Black Metal is King: An Homage to the Roots (Ascension Monuments Media, 2018)

What the fuck is that title. Okay I get the first part is a Judas Iscariot tribute, but did we really need "an homage to the roots" in there? Hey wouldn't it be funny if these were actually covers of the band The Roots? Anyway. This album was supposed to come out 10 years ago, but it was blocked by the bands' respective labels. Now I guess they've figured out a way, or Blake Judd needs money for drugs so he's figured out a way, to put this out. The Bandcamp version has 8 tracks, 5 from Nachtmystium and 3 from Leviathan, but I've seen a 10-track tracklisting elsewhere. On the version I have, we have Nachtmystium covering Judas Iscariot, Ildjarn (twice), Von and Burzum. Leviathan tackles Ildjarn (twice) and Von once. I seem to be missing Leviathan's Judas Iscariot cover ("Where the Winter Beats Incessant") and one of Nachtmystium's Von covers ("Von"). Weird. Wonder if there were some licensing issues or something. All four Ildjar...

Corrupted - Felicific Algorithim (Cold Spring, 2018)

For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

Desiigner - L.O.D. (Life of Desiigner) (GOOD Music/Def Jam, 2018)

There's something in me that wants to root for Desiigner even though most of the rest of the music world has turned on him. Or maybe it's because everyone is so down on him. I'll be the first to admit his first release, New English, was junk. Maybe rushed to capitalize on the success of "Panda", but either way - it showed that Desiigner was and is a very immature songwriter. But the guy can write hooks - "Panda", "Tiimmy Turner", and the first single off this release, "Priice Tag", bear that out. Maybe that'll be his niche - writing hooks for other, better rappers. No shame in that. L.O.D. is still not a great release (still not a full album yet) but it shows steps in the right direction. Does he still sound like Future? Sure and he probably always will. As mentioned, "Priice Tag" features another bomb hook, but instead of repeating it 20 times for a 4 minute song, here he keeps it trim - just 1:50 in length. Is it reve...

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