Soundtracks are soundtracks, and I like the idea of one working just as well as a standalone project. Having Kendrick helm the thing is a pretty good way to ensure success. No, it's not as good as a solo Kendrick album, and it's a bit spotty (as most soundtracks tend to be) but it's solid at the very least with some great cuts - "King's Dead" obviously with that roster of talent, Vince Staples delivers (natch) with "Opps", okay "All the Stars" is pretty flabby but the other radio-ready pop cut "Pray for Me" (w/The Weeknd) is undeniable. Overall it hits more than misses, and I'll come back to it.
For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

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