Soundtracks are soundtracks, and I like the idea of one working just as well as a standalone project. Having Kendrick helm the thing is a pretty good way to ensure success. No, it's not as good as a solo Kendrick album, and it's a bit spotty (as most soundtracks tend to be) but it's solid at the very least with some great cuts - "King's Dead" obviously with that roster of talent, Vince Staples delivers (natch) with "Opps", okay "All the Stars" is pretty flabby but the other radio-ready pop cut "Pray for Me" (w/The Weeknd) is undeniable. Overall it hits more than misses, and I'll come back to it.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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