Galcher Lustwerk's final album under his Road Hog moniker - it seems weird that ever since Galcher blew up Road Hog has already outproduced his "main" project - and it's his best. I was always kind of lukewarm on Road Hog, the instrumental EP-length beats he was putting out were nice enough but not totally gripping. The tracks on "Spares" are a little more boisterous if you will, certainly engaging. As a final salvo, it couldn't have been done better. What's next?
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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