Skip to main content

Albums of the Year 2017 // New Releases

//40
Migos
Culture
(300 Entertainment)

//39
Kyle Dixon & Michael Stein
Stranger Things 2: A Netflix Original Series Soundtrack
(Lakeshore)
//38
Unsane
Sterilize
(Southern Lord)

//37
Hans Zimmer & Benjamin Wallfisch
Blade Runner 2049: Original Motion Picture Soundtrack
(Epic/ASG)
//36
Ricardo Villalobos
Empirical House
([a:rpi:r])

//35
Brockhampton
Saturation II
(Question Everything Inc./Empire)
//34
Fire-Toolz
Drip Mental
(Hausu Mountain)

//33
Clams Casino
Instrumental Mixtape 4
(no label)
//32
Yves Tumor
Experiencing the Deposit of Faith
(no label)

//31
Lil Yachty
Teenage Emotions
(Virgin/EMI)
//30
Thriftworks
The Feather and the Sword
(no label)

//29
Paul White & Danny Brown
Accelerator
(R&S)
//28
Keiji Haino, Jim O'Rourke & Oren Ambarchi
This Dazzling, Genuine "Difference" Now Where Shall It Go?
(Black Truffle)

//27
Nazoranai
Beginning to Fall in Line Before Me, So Decorously, the Nature of All That Must Be Transformed
(W.25th)
//26
Crys Cole & Oren Ambarchi
Hotel Record
(Black Truffle)

//25
Wolf Eyes
No Hate
(no label)
//24
Konstrukt & Keiji Haino
A Philosophy Warping, Little by Little That Way Lies a Quagmire
(Karlrecords)

//23
The War on Drugs
A Deeper Understanding
(Atlantic)
//22
Protomartyr
Relatives in Descent
(Domino)

//21
Dasher
Sodium
(Jagjaguwar)
//20
Kendrick Lamar
DAMN.
(Insomniac/Interscope)

//19
David Greenberger, Glenn Jones & Chris Corsano
An Idea in Everything
(Okraina)
//18
Tzusing
東方不敗
(L.I.E.S.)

//17
Laurel Halo
Dust
(Hyperdub)
//18
Lil B
Black Ken
(BasedWorld)

//15
Swans
Deliquescence
(Young God)
//16
Aaron Dilloway
Switches
(Cejero)

//13
Oneohtrix Point Never
Good Time: Original Motion Picture Soundtrack
(Warp)
//12
Trouble
Snake Eyes b/w Mother's Gone
(Sacred Bones)

//11
Lil Uzi Vert
Luv is Rage 2
(Generation Now/Atlantic)
//10
Bell Witch
Mirror Reaper
(Profound Lore)

//09
King Krule
The Ooz
(True Panther/XL)
//08
Circle
Terminal
(Southern Lord)

//07
Do Make Say Think
Stubborn Persistent Illusions
(Constellation)
//06
Vince Staples
Big Fish Theory
(ARTium/Blacksmith/Def Jam)

//05
Ryuichi Sakamoto
Async.
(Milan)
//04
Oxbow
Thin Black Duke
(Hydra Head)

//03
Tyler, the Creator
Scum Fuck Flower Boy
(Columbia)
//02
The Bug vs. Earth
Concrete Desert
(Ninja Tune)

//01
Slowdive
Slowdive
(Dead Oceans)

Comments

Popular posts from this blog

MKWAJU Ensemble - KI-Motion (We Release Whatever the Fuck We Want, r. 2018)

DOPE re-ish of Midori Takada's 1981 debut album as MKWAJU Ensemble - you may recall last year WRWTFWW released Takada's Through the Looking Glass LP, but this one's even better - a wild mix of Japanese ambient and African rhythms played on marimba, vibraphone, synthesizer and percussion. RIYL Terry Riley or Tubular Bells, or even more new age-y weirdness like Vangelis, but these rhythms are so wild I wouldn't bat a lash at all if you told me the Animal Collective bros stayed up nights listening to these. Check out "Angwora Steps", totally out of pocket. "Hot Air" is a spacious breather, the other tracks pile up the rhythms in slowly-shifting crescendos...crazy stuff.

Abstracter - Cinerous Incarnate (I, Voidhanger, 2018)

I was not aware of these guys, who formed in 2010 as a noise duo, and slowly evolved and added more members and turned into a kind of death/blackened doom metal project. They've got ties to other noise acts I don't know (Sutekh Hexen) and other industrial acts I don't know (Only Now). Quite a stew and the band pulls of something that sounds truly different. It's got a tentacle in each of the aforementioned genres but blends them really well. It's quite hard to pin them down in fact. Big, heavy riffs with a production level along the lines of a sludge/black metal record but sharp instrumentation and just a dirty atmosphere...ambient noise passages separate a couple tracks as a nice diversion...very cool

Grouper - Grid of Points (Kranky, 2018)

I've never really liked Grouper much, lots of other wogs go ga-ga over anything she puts out but it all leaves me cold. I wrote her off for a while, heard some hype for this new one, and I'm back to writing her off again. It's the same ghostly vocal samples/quasi religious/hymnal vibes..haunting and ethereal and...nothing that gets me all wound up. Pass.