Tips Zum Selbstmord

Last year's reissue of Jan Jelinek's Loop-Finding-Jazz-Records put him on his radar for me forever. This is an shortened version of a radio play he put out called Zwischen. Jelinek sources interview clips from a pretty diverse cast - John Cage, Karlheinz Stockhausen, Slajov Zizek, Lady Gaga, Yoko Ono, Marcel Duchamp - and extracts all the pauses, silences, gaps, ums, ehs, ahs, hahas, etc from their answers. So you get track titles like "Yoko Ono, you were born into a rich, aristocratic family in Tokyo. Do you see that in yourself?" and "Karlheinz Stockhausen, which difficulties are involved in conserving electronic music on magnetic tape?". On top of that the audio cues present trigger synthesizers creating undercurrents of sound amidst the quasi-verbal utterances. It's a cool concept, interesting listen - all the responses have different moods. Zizek's is particularly stressed as he seems to be rushing through an explanation of something important

I keep up with Sunburned only intermittently these days, they seem to be taking a more rock-ist approach lately. Like this one. Each track is about 4-5 minutes of pretty ramshackle, jammy, funky, boogie rock...almost spoiled by the throaty, beery vocals shouted over the top of each one of these tunes with nonsensical platitudes. I almost shut it off after a couple tracks but I stuck it out and kinda came around on some level. I was oddly reminded of My War era Black Flag sludge punk. The band sez "these Holy Grail fueled recordings are a mix of iphone and zoom recordings run through garageband, reaper and some plug-ins. We're still working on the much more listener-friendly Black Dirt session..." and point taken, listener friendly this ain't.

Pretty cool album compiling two long-lost tapes of a long-lost Sudanese musician Kamal Keila and his band. The songs are sung in both English and Arabic and the backing band is lightly jazzy, punchy, RnB...talented for sure. Not the most far-out interesting thing Habibi Funk has ever put out but nice.

I was not aware of these guys, who formed in 2010 as a noise duo, and slowly evolved and added more members and turned into a kind of death/blackened doom metal project. They've got ties to other noise acts I don't know (Sutekh Hexen) and other industrial acts I don't know (Only Now). Quite a stew and the band pulls of something that sounds truly different. It's got a tentacle in each of the aforementioned genres but blends them really well. It's quite hard to pin them down in fact. Big, heavy riffs with a production level along the lines of a sludge/black metal record but sharp instrumentation and just a dirty atmosphere...ambient noise passages separate a couple tracks as a nice diversion...very cool

Here's the other album, an intimate session recorded at a friend's house who used to put on this sort of thing. Imagine? Must have been something. Two ragas here 30 and 40 minutes a piece. The fidelity is obviously a little rougher here and the percussion is muted compared to what ramps up on the previous disc, which I prefer but still pretty cool.

Stephen O'Malley's Ideologic Organ bringing Ustad Zia Mohiuddin Dagar into the light, not somebody I was ever familiar with. From North India and a master of the dhrupad, and also a master of rudra veena, which Stephen describes as "a kind of noble deeper bass relative to the sitar". Over 65 minutes Dagar stretches out the Raga Yaman. It sounds more spacious, slower paced and more "open" than most sitar ragas I would be familiar with. There are some vocalizations but for the most part instrumental, and easy to get lost in Dagar's dreamy, ensnaring strings. This was recorded at a public performance in Seattle in March 1986, a stop on Dagar's final US tour but also as I understand it a place where he did some teaching. There's an accompanying release that I'll check out next, this is good stuff.