Migos' follow up to Culture isn't so much an album (or a double album) as much as it's a collection of songs. In the streaming era though, this is what passes for an album. Which isn't to speak negatively of it - there's a lot of good here, although it could have been hacked down into one really tight album realistically. Migos are almost like shapeshifters though. Any song can be a Migos track. Or, Migos can make any song a Migos track. Does that make sense? It's impressive at how quickly they churn these out and there's some quality here for sure - "Walk It Talk It" is already drilled into our brains not to mention "Stir Fry", "MotorSport", "Notice Me", "White Sand" - even the intro ("Higher We Go") is radio ready. Migos are a well oiled machine at this point and they do what they do well.
Eartheater first came on my radar (and many others) with 2 Hausu Mountain tapes in 2015. She makes glitchy, disorienting music, combining electronics and synthesized percussion with voice, guitars and who knows what else. The whole thing is a confusing stew, kind of reminiscent of Inga Copeland but I would say even more detached from "song". Didn't do much for me.

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