Migos - Culture II (Quality Control/Motown/Capitol, 2018)

Migos' follow up to Culture isn't so much an album (or a double album) as much as it's a collection of songs. In the streaming era though, this is what passes for an album. Which isn't to speak negatively of it - there's a lot of good here, although it could have been hacked down into one really tight album realistically. Migos are almost like shapeshifters though. Any song can be a Migos track. Or, Migos can make any song a Migos track. Does that make sense? It's impressive at how quickly they churn these out and there's some quality here for sure - "Walk It Talk It" is already drilled into our brains not to mention "Stir Fry", "MotorSport", "Notice Me", "White Sand" - even the intro ("Higher We Go") is radio ready. Migos are a well oiled machine at this point and they do what they do well.

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Corrupted - Felicific Algorithim (Cold Spring, 2018)

For whatever it means, this is the beginning of Corrupted's "Hollow" series. Maybe the clue is in the music? Unlike Corrupted's traditional ultra-slowed down, Spanish-sung, Japanese doom metal this is instrumental harsh noise. Still filthy and angry and depressive but sans vox and also more or less sans metal. Both untitled sides are meant to be played at either speed. The result? Meh. I miss Corrupted's brand of doom, this relatively anonymous harsh noise is fine and all but if I'm listening to Corrupted...well I know what I want. Skippable.

Abstracter - Cinerous Incarnate (I, Voidhanger, 2018)

I was not aware of these guys, who formed in 2010 as a noise duo, and slowly evolved and added more members and turned into a kind of death/blackened doom metal project. They've got ties to other noise acts I don't know (Sutekh Hexen) and other industrial acts I don't know (Only Now). Quite a stew and the band pulls of something that sounds truly different. It's got a tentacle in each of the aforementioned genres but blends them really well. It's quite hard to pin them down in fact. Big, heavy riffs with a production level along the lines of a sludge/black metal record but sharp instrumentation and just a dirty atmosphere...ambient noise passages separate a couple tracks as a nice diversion...very cool

Grouper - Grid of Points (Kranky, 2018)

I've never really liked Grouper much, lots of other wogs go ga-ga over anything she puts out but it all leaves me cold. I wrote her off for a while, heard some hype for this new one, and I'm back to writing her off again. It's the same ghostly vocal samples/quasi religious/hymnal vibes..haunting and ethereal and...nothing that gets me all wound up. Pass.

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